Most notices from Backstage.com

Updated: May 5

BANDS/CABARET/GIGS/SHOWCASES:

Singer In The Dallas Area, To Collaborate With Professional Guitarist – Expires May 31 - Chris Richter, Casting-Production is seeking a singer in the Dallas area to collaborate with a professional guitarist. Production states: "I am a classical guitarist who has been performing solo instrumental music around the Dallas area for the past few years, playing at hotels, country clubs, private events, etc., as well as recording music that has 20,000,000+ streams on Spotify. I'd like to begin working with a singer as an acoustic duo to expand the possibilities for performing and recording." Rehearses in Dallas, TX; dates decided by what works best for both schedules. Half and half payment split from gigs and recordings. Seeking—Singer, Lead, 18+. Apply via Backstage.com

COMPANIES:

COMPETITIONS:

CRUISES/RESORTS:

Cruise Ship Engagements – Expires May 26 - Quality Overseas Music is seeking professional jazz vocalists for ongoing cruise ship engagements in live music venues. Works ASAP, locations TBD. Total Pay: $5,000 - $15,000 (est. 5 weeks of work); Rate: $1,000 - $3,000 / week. Flights, meals, and accommodation provided. Seeking—Lead Jazz Vocalist, 21-35, Strong jazz standards/Great American Songbook repertoire; comfortable performing multiple sets in a live music environment; experience working with live bands or accompanists; strong stage presence and reliability in a contract setting. Apply via Backstage.com For consideration, submit vocal reel clips performing with a live band (if available) and resume.

Luxury Cruise Contracts 2026 – Expires Dec. 31, 2026 - Six O'clock Studios is seeking versatile, triple-threat performers for upcoming contracts onboard luxury cruise lines worldwide. Performs throughout 2026 aboard worldwide cruises. Pay Rate: $16,000 - $36,000 flat rate (no duration provided) for Singers & Singers Who Can Dance; $16,000 - $32,000 flat rate (no duration provided) for Dancers Who Sing. Travel, accommodation, and food onboard included. Rehearsal accommodation provided. Seeking—Singers and Singers Who Can Dance: Lead, All Genders, 18-40; Strong pop/rock singers. Able to perform in six-eight shows a week. String singers who can dance: Must be able to have strong dance technique and able to dance as a group. Also able to sing lead vocals; Dancers Who Sing: Lead, All Genders, 18-35; Seeking strong dancers and dancers who sing must be able to sing lead and harmonize. Dancers must have strong technique and partner work. Seeking talent Worldwide. Apply via Backstage.com For consideration, submit a showreel showcasing talent.

SHOWS/STAGE/VIRTUAL:

Equity, 'Anastasia' – May 11 - City Springs Theatre Company is casting Equity actors for roles in Anastasia. Rehearsals begin Nov. 16; runs Dec. 11-27, 2026 at the City Springs Theatre Company in Sandy Springs, GA. Pays $657/wk. (2025-26 rate) Equity (Ref. to LORT) LOA contract. Seeking—Anya/Grand Duchess Anastasia Nikolaevna Romanov: Lead, Female, 18+, Range: G3-F5, Belt to D5. Disney-esque Soprano or Mezzo. Dance Requirement: Some movement. Anya is brave, fiery, witty, and above all determined. With no memory of her life before age 17 and having lived through the horrors of the Russian Revolution, Anya jumps at the sound of gunshots and is distrustful of strangers, but there is steel hiding just beneath the surface. Anya is strong-willed and compassionate. Her mantra, “Home, love, family” is her goal. All she knows is her family is in Paris and she will find them however she can; “Dmitry Sudayev” Lead, Male, 18+, Range: A2-G4. “Baritenor”. Dance Requirement: Some Movement. Dmitry is a scoundrel with a heart of gold. A street rat who grew into a conman, Dmitry does all he does to get out of poverty and is not above lying, cheating, and stealing to do so - that is until he meets Anya. What starts as just another scheme (albeit much bigger than anything he’s tried to pull off before) turns into the adventure of a lifetime that requires Dmitry to look inward and figure out how to put the one he loves before himself; “Vladimir Popov:” Lead, Male, 18+, Range: A2-F4. Comic Baritone. Dance Requirement: Strong mover. Vlad is Dmitry’s partner in crime (literally) and surrogate father. Before the revolution he scammed his way through society pretending to be a count. Vlad is dramatic, crafty, and a big softie at heart. While he, like Dmitry, is not above lying, cheating, and stealing, he cares greatly for his loved ones and is generally affable, though he can be calculating when he needs to be; “Deputy Commissioner Gleb Vaganov:” Lead, Male, 18+, Range: A2-Gb4. Baritone with a strong upper extension. Gleb is the villain of the show, though not a bad person. He fully believes in the Communist ideals he follows. Loyal, honest, and hardworking, Gleb almost has the potential to be a hero (he’s very much the hero of his own story). A deeply conflicted person, Gleb’s infatuation (and borderline obsession) with Anya leads to his battle with the idea of doing one’s duty vs. doing what is right; “Countess Lily Malevsky-Malevitch:” Lead, Female, 18+, Range: G3-C5 (Briefly sings a B5 at the end of Land of Yesterday, but the rest of the role is very Mezzo/ Jazzy Mezzo with an upper extension. Dance Requirement: Dancer (Ideally a strong dancer). Lily is the lady-in-waiting to the Dowager Empress. She has been by the Dowager’s side since before the revolution. Lily is clever, dutiful, and above all fun (when not working for the Dowager). She deals with her exile from Russia with a sort of resigned dark humor…and a LOT of vodka. She and Vlad were once an item (unbeknownst to her oblivious husband) and they rekindle their romance upon re-uniting; “Dowager Empress Maria Feodorovna Romanov:” Lead, Female, 18+, Range: F3-Bb4. A regal Mezzo, Dance Requirement: None. The Dowager Empress has lost everything she once held dear and must now put up with imposter upon imposter never allowing her to grieve in peace. She is icy, proud, and regal (not to mention intimidating) to all but her family. Though, she does have a very sharp wit. She is especially warm with Anastasia both when a child and after it’s revealed that Anya really is the princess. She commands authority and attention the minute she enters a room; Ensemble: Chorus/Ensemble, 18+, To play Townsfolk, Royal Servants, Bolshevik Officers and Soldiers, Parisians, Reporters, and Aristocrats. Equity Principal Audition May 11 from 10am-6pm ET at City Springs Theatre Company Studios, 8601 Dunwoody Place, Ste 136, Sandy Springs, GA, 30350. Free parking. An Equity Monitor will not be provided. The producer will run all aspects of this audition. To schedule an audition appointment, visit SignUpGenius. Prepare a short musical selection of your choice in the style of the show or you may use the following music in this GoogleFolder. For more information, visit City Spring Theatre for full audition details.

Equity, 'Joseph and the Amazing Technicolor Dreamcoat' – May 11 & 12 – Chicago - Aurora Civic Center Authority is casting Equity actors, singers, and dancers for roles in "Joseph and the Amazing Technicolor Dreamcoat." All roles will be understudied. About the production: Joe goes retro! This coming-of-age story is steeped in 80s nostalgia, harkening back to the days of analog media, MTV, and racing home when the streetlights came on. Staying true to Joseph’s eclectic blend of musical styles and shifting tones, the story is anchored by the indescribable feeling of wandering your local video rental store in search of the perfect tape. At times satire, at times parody, but mostly a love letter to the media people grew up with, and the stories that continue to shape them. Rehearsals begin March 29, 2027; tech begins April 20; runs April 28-June 13 in Aurora, IL. Pays $1024/wk. Equity LOA (LOA ref. COST) contract. Seeking—Narrator: Lead, Female, 20-50, Black, The guide through Joseph’s story, who exists outside of time and space. She floats effortlessly between protagonist and antagonist with Joseph, but she adores the kids she’s sharing his story with. She’s equally adept at singing a lullaby and an anthem. Largely inspired by Whitney Houston; “Joseph” Lead, male, 17-29, Jacob’s second youngest son. He is his father’s favorite, and he knows it. He’s handsome, smart, and a dreamer, but when it comes to reading the room, he’s illiterate. You can’t help but love him! The kids are the only ones privy to his insecurity until the end of the show, when he’s reunited with his brothers and must offer and seek forgiveness. Largely inspired by Ferris Bueller; Jacob/Potiphar: Lead, Male 40-60, Jacob is Joseph’s Father. A man has never been more at home in a cardigan. He’s got that Mr. Rogers warmth with some of the hardheadedness of Steven Keaton (Family Ties); Potiphar is Filthy rich and it shows. The only thing he loves more than his mansion and his money is his trophy wife. “Pharaoh” Lead, Any gender, 20s-40s. Pharaoh is the most powerful person in Egypt due to sheer charisma. They are a major celebrity and most in their element in front of their adoring fans. They quickly recognize Joseph’s confidence and take him under their wing. They have a “can’t look away” quality about them. Largely inspired by Prince with an alluring blend of Tim Curry’s Frank-N-Furter and Freddie Mercury. Guitar a plus but not required; Joseph’s Brothers: Lead, Any gender, 20s-40s. A heavily featured ensemble of 11 brothers who can’t live with each other and can’t live without each other. They cast a wide net of archetypes from high school jock to nerd to young entrepreneur. As a unit, they feel like The Lost Boys or The Outsiders, and two of them are probably “twins” ala Corey Haim and Corey Feldman. They are strong singers and dancers who float seamlessly between the different musical styles in the show; Wives: Chorus/Ensemble, Female, 20s-40s. An ensemble who play the wives/girlfriends of the brothers and Jacob as well as a number of other roles throughout the show, including Pharaoh’s fans and backup dancers, Narrator’s background singers, Ishmaelites, and Potiphar’s Wife. They all dance and sing multiple styles throughout; Any gender, Ages 10-13. Young performers who range from budding cinephiles to Teen Magazine obsessives. They make up one or two cliques of kids who are invited into the story by the mystical narrator and discover the power of music, representation, embracing differences, and welcoming in “the other." The production will feature this group as a participating ensemble rather than vocal viewership, requiring all of them to be strong singers and movers. Two of the kids will be prominently featured as parallels to Joseph and the Narrator. Equity Principal Audition May 11 from 9am-5pm CT at Actors' Equity Association - Chicago Member Center, 557 W Randolph St., 1st Fl., Chicago, IL, 60661; Equity Chorus Call May 12 at 9am CT & 2pm CT for Singers. Seeking talent from Chicago IL. Apply via Backstage.com

Equity Chorus, 'Anastasia,' Singers & Dancers – May 12 - City Springs Theatre Company is seeking Equity singers and dancers for Anastasia. Rehearsals begin Nov. 16; runs Dec. 11-27 at the City Springs Theatre Company in Sandy Springs, GA. Pays $657/wk. (2025-26 rate) Equity (Ref. to LORT) LOA Contract. Seeking—Anya/Grand Duchess Anastasia Nikolaevna Romanov: Chorus/Ensemble, Female, 18+, Range: G3-F5, Belt to D5. Disney-esque Soprano or Mezzo. Dance Requirement: Some movement. Anya is brave, fiery, witty, and above all determined. With no memory of her life before age 17 and having lived through the horrors of the Russian Revolution, Anya jumps at the sound of gunshots and is distrustful of strangers, but there is steel hiding just beneath the surface. Anya is strong-willed and compassionate. Her mantra, “Home, love, family” is her goal. All she knows is her family is in Paris and she will find them however she can; “Dmitry Sudayev” Chorus/Ensemble, Male, 18+, Range: A2-G4. “Baritenor”. Dance Requirement: Some Movement. Dmitry is a scoundrel with a heart of gold. A street rat who grew into a conman, Dmitry does all he does to get out of poverty and is not above lying, cheating, and stealing to do so - that is until he meets Anya. What starts as just another scheme (albeit much bigger than anything he’s tried to pull off before) turns into the adventure of a lifetime that requires Dmitry to look inward and figure out how to put the one he loves before himself; “Vladimir Popov” Chorus/Ensemble, male 18+, Range: A2-F4. Comic Baritone. Dance Requirement: Strong mover. Vlad is Dmitry’s partner in crime (literally) and surrogate father. Before the revolution he scammed his way through society pretending to be a count. Vlad is dramatic, crafty, and a big softie at heart. While he, like Dmitry, is not above lying, cheating, and stealing, he cares greatly for his loved ones and is generally affable, though he can be calculating when he needs to be; “Deputy Commissioner Gleb Vaganov” Chorus/Ensemble, Male 18+, Range: A2-Gb4. Baritone with a strong upper extension. Dance Requirement: None. Gleb is the villain of the show, though not a bad person. He fully believes in the Communist ideals he follows. Loyal, honest, and hardworking, Gleb almost has the potential to be a hero (he’s very much the hero of his own story). A deeply conflicted person, Gleb’s infatuation (and borderline obsession) with Anya leads to his battle with the idea of doing one’s duty vs. doing what is right; “Countess Lily Malevsky-Malevitch” Chorus/Ensemble, Female, 18+, Range: G3-C5 (Briefly sings a B5 at the end of Land of Yesterday, but the rest of the role is very Mezzo/ Jazzy Mezzo with an upper extension. Dance Requirement: Dancer (Ideally a strong dancer). Lily is the lady-in-waiting to the Dowager Empress. She has been by the Dowager’s side since before the revolution. Lily is clever, dutiful, and above all fun (when not working for the Dowager). She deals with her exile from Russia with a sort of resigned dark humor…and a LOT of vodka. She and Vlad were once an item (unbeknownst to her oblivious husband) and they rekindle their romance upon re-uniting; “Dowager Empress Maria Feodorovna Romanov” Chorus/Ensemble, Female, 18+ Range: F3-Bb4. A regal Mezzo, Dance Requirement: None. The Dowager Empress has lost everything she once held dear and must now put up with imposter upon imposter never allowing her to grieve in peace. She is icy, proud, and regal (not to mention intimidating) to all but her family. Though, she does have a very sharp wit. She is especially warm with Anastasia both when a child and after it’s revealed that Anya really is the princess. She commands authority and attention the minute she enters a room; Ensemble: Chorus/Ensemble, 18+, To play Townsfolk, Royal Servants, Bolshevik Officers and Soldiers, Parisians, Reporters, and Aristocrats. Equity Chorus Call for Singers May 12 from 10am-1pm ET at City Springs Theatre Company Studios, 8601 Dunwoody Place, Ste 136, Sandy Springs, GA, 30350. Free parking. An Equity Monitor will not be provided. The producer will run all aspects of this audition. To schedule an audition appointment, visit SignUpGenius. Prepare a short musical selection of your choice in the style of the show or you may use the following music in this GoogleFolder. For more information, visit City Spring Theatre for full audition details.

'Who Is Esther' – May 12 & 13 – Toronto, ONTARIO - Who Is Esther Productions is casting five roles in Who is Esther, a musical. Like "Les Mis" or "Evita," all dialogue is through song. Rehearsals begin May 24 (up to twice a week) in Toronto, ON; runs Aug. 6-16 in Kingston, ON. An honorarium, plus an equal share of gross ticket sales, will be paid. Access to a video of the performance will be provided to each actor. Synopsis: Set in the present day, everything was going well for CEO Mr. Verious… until his female VP quit due to his sexual advances. To recruit a replacement, he decides to hold a singing contest. Esther, a street-wise young woman from a gritty part of town, is encouraged by her Uncle Mo to compete. To the surprise of all (except her), she wins and is appointed as the new VP. Ham, Verious’s racist advisor, doesn’t like Esther or people like her, and slyly plots their demise. Esther finds the courage to speak truth to power: she turns the tables on Ham and holds Mr. Verious to account. Seeking—“Esther” Lead. Female, 18-40; Mezzo, 20-35-year-old African American woman from a low-income, “gritty” neighborhood; educated; street-smart; mentored by her Uncle Mo; becomes VP of a major corporation; “Uncle Mo” Bass or Baritone, Male adult, Black/African descent; Esther’s uncle, mentor, confidante, and wise elder statesman; “Mr. Verious” Lead, Male, 35-65; Tenor, Male adult, Caucasian, heavier build; CEO of a major corporation. A caricature: not so smart, and easily influenced by others; “Ham” Lead, Male, 18-50, Tenor, Male adult, Caucasian or Asian. Self-important, self-serving (and slimy). His toxic beliefs eventually lead to his downfall; The script specifies his physical “signature”: skulking, twitching, slimy movements, possibly danced; Schemer One/Aide/Chorus: Chorus/Ensemble, Male, 18+, Tenor or Baritone, Male adult, any ethnicity. Beyond being in the chorus, this actor will also play two other smaller roles: The Schemer, and the Aide. Auditions by appointment May 12, 2026: 1:30 PM to 7:00 PM EDT or May 13, 2026: 12:00 PM to 7:00 PM EDT. Seeking talent from Canada, United States (Nationwide). For appointment, submit interest at Who Is Esther Casting or visit Backstage.com

'The Hoochie Coochie Man: The Muddy Waters Story' – Notice Expires May 19 - Black Ensemble Theater is casting The Hoochie Coochie Man: The Muddy Waters Story, a musical. Synopsis: Follow McKinley “Muddy Waters” Morganfield from his humble beginnings on the Mississippi Delta to his groundbreaking success as the Father of Chicago Blues. This unforgettable production brings to life the grit, fire, and genius of a legend whose influence shaped rock, soul, and rhythm and blues for generations to come. Rehearsals begin May 19 (Tue.-Fri. at 2-10 p.m.; Sat.-Sun. at 12-10 p.m.); tech runs June 16-27; preview runs June 20, 21, and 27; runs June 28-July 26 at Black Ensemble Theater 4450 N. Clark St. Chicago, IL. Nonunion: $350/wk. AEA Union: $718/wk. Seeking talent from Downers Grove, IL; Chicago, IL; Gary, IN; Milwaukee, WI. Seeking—Ensemble: Chorus/Ensemble, Male, Female, 18+, Gritty and entertaining Blues Singers. Ability to play guitar a plus (if you can, perform song while playing guitar). Apply via Backstage.com For consideration, submit ASAP a self-tape and resume. Private YouTube or Vimeo link preferred. Prepare one contemporary monologue (comedic or dramatic), brief selection of any blues song - can be sung a Capella.

'Grand American Opry' and 'The King Comes Home' – Pigeon Forge TN - Notice Expires May 31 - DDM Productions is casting Grand American Opry and The King Comes Home, musicals for the Smokies Variety Show featuring Country, Gospel, Cinema Hits, Rock and Patriotic with its amazing vocals, toe-tapping country, soul-stirring gospel, with an on-your-feet salute to our military, plus some classic rock (shows 4 shows a week.) The King Comes Home, a tribute to the King of Rock and Roll featuring the hits from the early years to the 70's with tight harmonies, solo step outs and choreography (4 shows a week). Pay Rate: $800/week; Roles paying up to $20,800. Rehearses and performs in Pigeon Forge TN. Must be able to relocate. Production will provide a travel stipend; rehearsal; production have an exchange with various other attractions such as Dollywood. Seeking—Vocal Leads and Supports: All Genders, 18-65. Apply via Backstage.com

'Side by Side by Sondheim' – Expires June 1 - Arkansas Repertory Theatre is casting  talented actors for the production of Side by Side by Sondheim as a part of the 2026 SummerStage Season. Specifically seeking auditionees for the role of Woman 1. Rehearsals begin Aug. 18; tech week begins the week of Sept. 1; final dress Sept. 6; runs Sept. 8-20 at the Arkansas Repertory Theatre in Little Rock, AR. Total Pay: $4,000 (est. 5 weeks of work); Pay Rate: $800/week. Seeking—“Woman 1” Lead, Female, 40-65, Resilient, sharp, unapologetic. Featured songs include: "Getting Married Today," "I'm Still Here," "Send In The Clowns," "Some People." Seeking exceptional singer-actors with a passion for Sondheim and a strong command of language, music, and emotional truth. Individuality and connection to the material are valued over imitation. However, pitch and rhythm should be honored. Seeking talent from United States (Nationwide). Apply via Backstage.com

'Next Time,' a new original musical– June 6 – San Francisco CA - Sean P. Breen, Book-Lyrics-Music; Brandon Joseph, Director; Barbara Burgel, Producer are casting Next Time, a new original musical set in a barbershop on the corner of memory and possibility, a barber, his twin sister, and four singers with voices full of longing stand at the edge of everything they've been afraid to want. Next Time, a new original musical set in a barbershop on the corner of memory and possibility, a barber, his twin sister, and four singers with voices full of longing stand at the edge of everything they've been afraid to want. Roles paying up to $500. Seeking—“Shirley” Lead, Female, Age 17-20, female, alto who is able to sing in various styles. Shirley works at the barbershop but has a secret dream. She is quiet and somewhat insecure, but ultimately knows what she wants. Including ensemble work, Shirley will sing in one duet (lyrical waltz style), and sing in three different vocal groups for a singing competition, in power ballad, barbershop style/rockabilly, and K-pop vocal styles; “Dani” Lead, Female 18-60, One actor will play Dani at two different ages: young Dani (ages 18-21), and older Dani (ages 58-65). Female; Soprano who is able to sing in various styles; She is the twin sister of Billy (who is the barber at their Father's Barbershop), and she has followed up a singing career as a talent scout. She carries around some guilt regarding a decision made years ago. Including ensemble work, Dani co-sings one duet (reprise of late 70"s soul), one duet (rock style), and is in a vocal group singing a late 70's soul song; “Billy” Lead, Male, 18-60, One actor will play Billy at two different ages: young Billy (ages 18-21), and older Billy (ages 58-65). Male; Tenor who is able to sing in various styles; He is the twin brother of Dani (a talent scout). Billy took over the barbershop when his father got sick. Unfortunately, Billy is not a very good barber. He is duty bound, to the point of denying his own dreams. Including ensemble work, Billy co-sings one duet (lyrical waltz style), one duet (reprise of late 70"s soul), one duet (rock style), and is in a vocal group singing a late 70's soul song; “Desmond” Supporting, Male, 18-70, Any age, but Desmond is timelessly old, male, a baritone, and serves as a co-MC. He and Harold are on the stage through the whole play, in the barbershop, all knowing. Desmond plays the lottery looking for a big win. Desmond has his own dream. Including ensemble work, he sings with Harold one song a cappella style, with a reprise of this song later in the musical; “Harold” Supporting, Male, 18-70, Any age, but Harold is timelessly old, male, a bass, and serves as a co-MC. He and Desmond are on the stage through the whole play, in the barbershop, all knowing. Harold spends most of his time organizing his collection of recipes on his laptop. Harold has his own dream. Including ensemble work, he sings with Desmond one song in a cappella style, with a reprise of this song later in the musical; “Tommy” & “Link” Supporting, All Genders, 18-30, Gender fluid, age 17-21, Tenor (or alto) who is able to sing in various styles. Tommy is very excited to take on new challenges. Link is in a flashback 1979 scene, singing bass. Including the ensemble work, Tommy sings two songs as part of a trio (one in a cappella and one in a jazz influenced dialogue style) and sings in three different vocal groups for a singing competition, in power ballad, barbershop style/rockabilly, and K-pop vocal styles. Link sings a late 70's soul song, with 3 others; “Ahmad” & “Felipe” Supporting, All Genders, 18+, Gender fluid, age 17-21, Tenor (or alto) who is able to sing in various styles. Ahmad is very excited to take on new challenges, but also rather wary of wading in too deep. Felipe is in a flashback 1979 scene, singing tenor/alto. Including the ensemble work, Ahmad sings two songs as part of a trio (one in a cappella and one in a jazz influenced dialogue style), and sings in three different vocal groups for a singing competition, in power ballad, barbershop style/rockabilly, and K-pop vocal styles. Felipe sings a late 70's soul song, with 3 others; “Bonzo & “William” Supporting, male, 18-50, Bonzo is a young male, 17-21, and William is an older male in his 40's. Tenor who is able to sing in various styles. Bonzo is very excited to take on new challenges, but cautious about getting in too deep. William is Billy's father, in a flashback 1979 barbershop scene. Including the ensemble work, Bonzo sings two songs as part of a trio (one in a cappella and one in a jazz influenced dialogue style), and sings in three different vocal groups for a singing competition, in power ballad, barbershop style/rockabilly, and K-pop vocal styles. William does not have a singing role. Auditions by appointment June 6 from 10:00am to 2:00pm PT. Auditions (10 minutes) by appointment, scheduled after resume and singing sample review. No sides will be provided. Come to your audition with a piano score of a pop song, sing 16-32 bars, & present a 1-minute monologue from a contemporary play. Apply via Backstage.com

RECORDING/STUDIO SESSIONS/VOICEOVERS/FILM/TV/ONLINE:

'Learn To Be a Voice Actor' Free Live Webinar – Expires June 4 - Alan Shires Voice Over is seeking participants for Learn To Be a Voice Actor, a free live webinar. Note: This one-hour webinar will go through what talents need to do as a creative to embark on a career in voiceover. Seeking—Participants: All Genders, 18+. This free webinar will discuss all of the skills one has as a creative and how they are transferable into voice act8ing; whether one intends to branch out into voiceover, or just add another tool to one's belt, production will go through what one needs to know to become a voice actor. Runs June 4 (5 p.m. EST, 2 p.m. PST, 10 p.m. GMT, and 9 a.m. NSW the next day) remotely. For consideration, register at Zoom or visit Backstage.com

Music Producer/Label – Expires June 30 - Harness Music is seeking a female singer or singer-songwriter to record, produce, and develop original songs with for national release on new independent record label or with partner labels. Songwriting collaboration or songs provided. Video conference calls, remote recording sessions, or studio recording in NYC or L.A. Seeking—Singers/Vocalists: Lead, Female, 18-30; Seeking talent from the United States (Nationwide). Compensation through songwriting royalties. Looking to create a long term artist collaboration relationship where royalties are split for the music created together. Any future necessary contracts related to the music will be drafted and created as a team for opportunities. No up front fees. If remote recording is preferred or decided, then production will purchase proper equipment and advise setup through video conference recording sessions. For consideration, submit one or more cover songs in audio or video form with your application and any relevant social media. Apply via Backstage.com

SCHOOLS/SEMINARS/WORKSHOPS:

Acting, Singing, and Career Coaching With Award-Winning Broadway Producer and Film Director – Expires August 1 - Ocean Bay Entertainment New York LLC is seeking actors and singers for one-on-one online acting, vocal, audition, and/or career coaching with award-winning B'way and film producer-director-casting director Jordan Scott Gilbert. Production states: "Mr. Gilbert has taught hundreds of students, working successfully with artists, from novices to celebrities in film and on Broadway." Lessons run via Zoom. Coaching fee is $150/hr. Seeking—Actors & Performers: Lead, All Genders, 8+. Seeking talent Worldwide. Apply via Backstage.com